![]() ![]() It speaks of areas that have succeeded in alternating centripetal or centrifugal forces, where art has relocated its meeting points and its observation points. It seeks to reflect on the successive reconfigurations of the art map in the last few decades, on the displacements and relocations of its primary centers, from Paris to New York, from Venice to São Paulo, from Basel to Miami. The exhibition Toda percepción es una interpretación: You are part of it is a retrospective look from the viewpoint of contemporary issues of art, culture, politics and economics. Toda percepción es una interpretación: YOU ARE PART OF IT Marcius Galan, Horacio Zabala: Toda percepción es una interpretación: YOU ARE PART OF IT Īrtists: Elena Asins (Spain), Kader Attia (France), Robert Barry (U.S), Pavel Büchler (U.K), Paulo Bruscky (Brazil), Waltercio Caldas (Brazil), Luis Camnitzer (Uruguay), Arturo Cuenca (Cuba), Sandu Darie Romania (Cuba), Antonio Dias (Brazil), Iran do Espírito Santo (Brazil), Juan Downey (Chile, U.S), Marcel Duchamp (France), Juan Francisco Elso (Cuba), Eugenio Espinoza (Venezuela), León Ferrari (Argentina), Marcius Galan (Brazil) , Flavio Garciandía (Cuba), José Antonio Hernández-Diez (Venezuela), Karlo Andrei Ibarra (Puerto Rico), Joseph Kosuth (U.S), Barbara Kruger (U.S), David Lamelas (Argentina), Judith Lauand (Brazil), Glenda León (Cuba), Carlos Leppe (Chile), Anna Maria Maiolino (Brazil), Antonio Manuel (Brazil), Carlos Martiel (Cuba), Cildo Meireles (Brazil), Marta Minujín (Argentina), Priscilla Monge (Costa Rica), Hélio Oiticica (Brazil) | Lygia Pape (Brazil), Michelangelo Pistoletto (Italy), Liliana Porter (Argentina), Carlos Rodríguez Cárdenas (Cuba), Lázaro Saavedra (Cuba), Mira Schendel (Brazil), Franz Erhard Walther (Germany), Horacio Zabala (Argentina) He juxtaposes modernist architecture with structures common in Latin America–favela shacks, adobe and vernacular buildings–and he incorporates aspects of the do-it- yourself economy to find practical solutions when resources are scarce Randall Weeks utilizes architecture as a metaphorical structure to address the impact of man on the landscape. ![]()
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